The Pro-R has the most extension into the high frequencies and they sound very natural and pretty - not phasey and well portrayed from the original signal. It has fairly a similar tone character to the but with a lot more low mids and centre signal whereas the is more scooped and wider. The UAD is a very punchy with an explosive beginning that fades in energy and tapers off very quickly obviously you can increase the RT60 on this unit though. These have more energy later in the reverb that holds out for quite awhile - has a very non linear decay until the delay time is up and sound surprisingly natural for being a recreation of such an old digital reverb. Despite having the pre delay as low as possible the delay is not instantaneous and it rises up after a short delay compared to some of the other reverbs. When combined they get a bit more richness and I think the top end and sparsity is increased.
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When comparing the and the comes off as a bit more lush and full than the - As you would expect being a newer and revised version. And that is something you can easily pick up despite slight any apparent differences between units of the feel or perceived length of the decay.
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And even though they may be using RT60 for decay, it seems that the decay curves differ which can also be as a function perceptually from any EQ filteringwhich of course will give a different sound and perceived length for the Reverb tail. The was a slightly later revision of thefeaturing some more added controls and a different conversion engine that was 16 bit with a 18 kHz Sample rate. Having 16 bit converters with a rolled off frequency response it is a very colourful sounding reverb with a distinctive lack of top end.
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As some extra background, the was one of the first digital Reverbs coming after e. One of their reverbs captured our interest recently, being that it is an emulation of some legendary digital reverb units from the semi distant past the EMT fromand the from is their Reverb. They have plugins ranging from precise mastering EQs through to colourful vintage emulations of gear, metering packages and some really handy effects. We take your privacy very seriously, and you can read more about it in our privacy policy.PSP is a developer of high quality audio plugins that have become a staple in many audio engineers diets. We read the page when you’re on a shopping website so that we can find coupons for it, and the change we make is to apply coupon codes when you ask us to. Like all browser extensions, Honey can read and change a limited amount of data in your browser to ensure that our product is working at its best. We take your privacy very seriously, and you can read more about it in our privacy policy.
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